The New York Times commends Robert Auler’s playing for its “extraordinary rhythmic clarity and expression.” American Record Guide cites his “elegant tone and uncanny sense of voicing.” The Charlotte Observer writes that Auler handles “technical and virtuosic concerns with aplomb.” Auler’s playing has also been described as “beautiful” (Fanfare), “superb,” (Ann Arbor News) “stunning” (LaPorte Herald-Argus) “first-rate” (Cincinnati News-Record), “truly electrifying” (Champaign-Urbana News- Gazette) and “a knockout.” (Syracuse Post-Standard.)

Auler has won first prize in national and international piano competitions, including the Society of American Musicians and the Stravinsky Awards.  Auler has performed on six continents, including performances throughout the United States, Canada, Argentina, Venezuela, Germany, Austria, Holland, France, Denmark, the Czech Republic, China, South Africa and New Zealand. Notable venues include Carnegie Hall, Teatro Colon, and Shanghai Symphony Hall.

Auler has performed in notable summer music festivals including the Aspen Music Festival, Music Academy of the West, the Monadanock Festival, the Michigan City Chamber Music Festival, the Saugatuck Chamber Music Festival, Nantucket Musical Arts Society, and Festival A Tiempo Caracas (Venezuela).

He has collaborated with composers such as Steve Reich, Aaron Jay Kernis, Carter Pann, and George Tsontakis, and with world-class ensembles such as the Ying Quartet, MIRO Quartet and Sybarite5. Auler records for Albany Records, performs frequently with Society for New Music, and Syracuse Symphoria, and serves as Professor of Piano at the State University of New York (Oswego).